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During the fourteenth century, scholars started reading translated works of Greek writers, such as Plato and Aristotle, thanks to Arab translators who had preserved and translated ancient manuscripts.
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Arabic translations of Greek works, as well as original texts by Arab and Persian scholars, were transmitted to other Europeans through Greek translations. These works covered various fields, including natural science, mathematics, astronomy, medicine, and chemistry.
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Notable Muslim writers and scholars include Ibn Sina (Avicenna), a physician and philosopher from Bukhara, and al-Razi (Rhazes), author of a medical encyclopedia. Ibn Rushd (Averroes), an Arab philosopher from Spain, attempted to reconcile philosophical knowledge and religious beliefs, influencing Christian thinkers.
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The humanist movement, which focused on introducing liberal arts and classical studies into education, began to emerge. Although universities still focused on law, medicine, and theology, humanist subjects gradually started being introduced in schools, mainly in Italy and later in other European countries.
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It is essential to note that the European spelling of these scholars’ names led to later generations believing they were Europeans, and schools at this time were only for boys.
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Artists of the sixteenth century, such as Durer and Leonardo da Vinci, integrated scientific elements into their work.
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Durer, a German artist, emphasized the importance of geometry in art and believed that an artist’s work should closely resemble life. He stated, “No man shall ever be able to make a beautiful figure out of his own imagination unless he has well stored his mind by much copying from life.”
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Leonardo da Vinci, an Italian artist, had a wide range of interests including anatomy, mathematics, and art. He studied bone structures by visiting medical schools and was known for his accurate and detailed depictions of the human body.
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Leonardo da Vinci’s self-portrait is signed with the title “Leonardo da Vinci, disciple of experiment,” highlighting his commitment to learning through observation and experimentation.
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Artists in this period also studied light and perspective, using geometry to create more realistic and three-dimensional representations in their paintings. The use of oil as a painting medium allowed for a greater richness of color.
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Sixteenth-century Italian artists were inspired by ancient Roman culture and sought to continue the tradition of sculpting perfectly proportioned figures. Donatello, for example, created lifelike statues in 1416, breaking new ground in realism.
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Humanist culture during this period was marked by a decrease in religious control over life, with individuals increasingly attracted to material wealth, power, and glory.
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Francesco Barbaro and Lorenzo Valla, both humanists, wrote about the importance of wealth acquisition and the pursuit of pleasure, challenging religious doctrines.
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The concept of humanism also emphasized the importance of good manners and individual autonomy in shaping one’s life, challenging the feudal belief in three separate orders of society.
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Niccolo Machiavelli’s The Prince (1513) discussed human nature, noting that individuals possess various qualities that earn them praise or condemnation, with self-interest being the most powerful motive for human action.
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Machiavelli believed that all men are inherently bad and prone to display their vicious nature due to insatiable human desires.
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In this era, women from aristocratic families were generally excluded from public life and had limited public roles.
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Women’s education was not emphasized, but a few women like Cassandra Fedele questioned this idea and advocated for women’s education.
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The position of women in merchant families was slightly different, with wives often assisting in running the shop or managing businesses.
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Women writers, such as Fedele and Isabella d’Este, expressed their aspirations for women to have economic power, property, and education to achieve an identity in a male-dominated world.
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Balthasar Castiglione, in his book The Courtier (1528), expressed his views on how a woman should be: soft, delicate, and feminine, without resembling a man in any way. He believed that women should adorn themselves with the finest accomplishments and possess virtues of the mind.